The Great Gatsby Thesis Paper Essay Example for Free

The Great Gatsby Thesis Paper Essay â€Å"This is a valley of ashes — a fantastic farm where ashes grow like wheat into ridges and hills and grotesque gardens; where ashes take the forms of houses and chimneys and rising smoke and, finally, with a transcendent effort, of men who move dimly and already crumbling through the powdery air.† (23) The image Fitzgerald creates in this passage is not a very pleasant one, depicting the impoverished in a filth ridden valley, masked by the overpowering presence of the ashes. The entire landscape is grey and dull; the hills, the houses, and even the people. This is a dramatic contrast to the lives of the wealthy, where everything is shiny, new, and always changing, whereas the ashes are perpetual and dismal. Every time Nick describes the Valley of Ashes, something grim is happening, or about to happen. For example, after Myrtle is killed, Wilson’s â€Å"glazed eyes turned out to the ashheaps, where small grey clouds took on fantastic shapes and scurried here and there in the faint dawn win.† (159) Wilson has almost completely lost himself at this point, and when he looks out to the ashheaps he is seeing what his life was: poverty. Unchangeable, murky poverty, that he couldn’t get Myrtle or himself out of. However, in WIlson’s delusion, he feels like there is a way he can make things right. He has to go and find Tom, who he believed to be driving the ‘â€Å"death car† and kill him to avenge Myrtle. Once he finds out someone else had been driving the car, he goes to find Gatsby. â€Å"A new world, material without being real, where poor ghosts, breathing dreams like air, drifted fortuitously about Like that ashen, fantastic figure gliding toward him through the amorphous trees.† (161) After Wilson shoots Gatsby, he also shoots himself because he feels like he has no other way to escape his life of hardship, and Nick describes his body as being â€Å"ashen† which invokes the image of the dull, grey valley where Wilson had lived. He didn’t belong in the fast paced life of the wealthy, and wouldn’t have been able to handle it  because of how weak minded he was. The poor were trapped in poverty, under the formidable ashes.

Rudolf Diesel :: Essays Papers

Rudolf Diesel Rudolf Diesel is the man I chose for my hi-fi because I like cars and car engines. Rudolf diesel invented the diesel engine. I also chose Rudolf Diesel because when I went to look for a person for my hi-fi he was a man who I thought that no one else would chose. I thought that Rudolf diesel would also be a man who would be interesting. I like mechanical things and not people who discovered some place or some boring invention. I want to be a mechanical engineer so Rudolf Diesel fits right in with what I want to be. That is why I chose Rudolf Diesel for my hi-fi. Some of the things that I would like to learn about Rudolf Diesel is how he came up with the idea of making a diesel engine. I would also like to know where he was from and how old he was when he first thought up the design of the engine. I would like to know about his life like if he was married or not. I would also like to know what his life was like, if he was rich or if he was poor. If he had children, how many and if they were also inventors. I would also like to know how many improvements people have made on his original design and if they still use his basic design in modern times. I don’t know much about him at all but that he invented the diesel engine and his name. I also know that he was born in 1858 and died in 1913, he was German, a mechanical engineer, and that he patented the Diesel engine. That is what I think that I know and want to know about Rudolf Diesel. Some of the things that I would like to find out would be what kind of training he had, did he invent any other things, and what school did he go to in Europe. I would also like to know who he worked with on the engine or did he do it by himself. I would also like to know why he invented the diesel engine when they already had the gasoline engine. I would also like to know what the first diesel engine looked like and how big was it.

Clive Robertson vs Hal Niedzviecki Essay

There are contrasts between Clive Robertson and Hal Niedzviecki. One is talking about how Artist-Run Centre can run better and it should be continue with younger artist in this century and one is talking about the Art Bureaucracy is ruining artists’ creativity and decisions. The following essay will be deep discuss each writer’s point of view and the ambitions of art. In Clive Robertson’s essay, â€Å"Policy Matters: Administrations of Art and Culture, through InFest: International Artist Run Culture, it was held in Vancouver in 2004. He discussed the Canadian artists where they held artist space, artist-run centre or artist’ events during the past and present. Clive said, â€Å"The manifestations of the artist-run culture movement in Canada has been widespread and enduring for many reasons aside from its existence within a particular conjuncture of nation-building through state funding. † (Clive 3) Artist-Run Culture was very active during the sixties and seventies, that’s why Clive said the art culture movement has been widespread. Clive also discussed what claims to be contemporary art in the essay. Talking about artist-run culture, many people must be confused what that is. For myself, I didn’t know the differences between public gallery, commercial gallery or what artist-run centre is if I see a gallery on the street because the gallery is usually just showing the works. After a deep thought, I realized there are differences between different galleries. Public gallery is like AGO, though you need to pay the admission fee to go in, it’s a museum for you to browse the arts. Museum usually is just for browsing, not purchasing. For commercial gallery, is a private owned gallery where the artists can sell their own works. I didn’t know much of Artist-run centre until I know there’s Nuit Blanche. Nuit Blanche is a big artist-run centre in Toronto and I think it’s very successful. As Clive said in the text, â€Å"The first thing is that conceptualism’s intellectual currency as an art-making strategy is very much alive; and, secondly that the projects of self-government or self-administration and bureaucracy for artists have to be â€Å"lived through† in order to comprehend and assess what rules are in play and which sets of rules provide the most or least acceptable ethical opportunities and advantages. (Clive 2) Artist-run is hard to run it without funding from government or non-profit organizations. So, they think it’s better to run as bureaucracy for artists. They will have a more stable base to run art. Arts need to be thinking out of the box which Designers always been asked to do. Artist-Run Centre keeps on running in different places, but it seems like artists and curators stop discussing about it. The artists and curators from this generation should start to write about the Artist-Run Centre, or else it would just stop as history and there’s no contemporary anymore. Hal Niedzivecki discussed in the essay, Fear and Loathing on the Granting Trail: Canadian Art Versus Canadian Bureaucracy†, Niedzivecki said Canadian artists suffers from Arts Bureaucracy Angst (ABA). ABA can ruin the artists’ life, such as creativity. The world is full of judgments and right or wrong, but it seems like Arts Bureaucracy is not giving artists choices of what they are doing. Niedzivecki had given examples of the artists/writers about their story. â€Å"You’ll note that Molly Morin learned a reverse lesson: she got her grant, and so was empowered, personally – not financially – to pursue her poetry and publish her chapbook†¦. A faceless verdict is issued; lacking context or explanation or encouragement, one can easily mistake that verdict decision – ever meant to be† (Niedzivecki 259) Arts Bureaucracy can be putting some pressures on the artists. People always say being an artist is so poor; you’ll be famous after you died. For artists, they make art because they love to create something through art and they make money from it, but it is hard to make money from doing art. As Niedzivecki mentioned, â€Å"Artists have always needed funding. † (Niedzivecki 259), artists don’t know their art will sell and earn them money. ABA is the ugly, gnawing feeling we get when we sense that our livelihood is under threat by forces – global, government – that we can neither affect nor predit. † (Niedzivecki 260) Not only artist and designer, basically everything is controlled by the global and the government. You do have the right to make some art or design, but you can’t avoid having judgments or rejections from the global. ABA is totally a discouragement to artist. Niedzivecki could depict the truthfulness and the ugliness of ABA in the essay. In conclusion, contemporary art is not only involve with conceptual art, body art, environmental art, correspondence art, performance art, but it’s include with artist-run centre and arts bureaucracy angst. In contrast between Clive Robertson and Hal Niedzivecki, they both have different points of view of contemporary Canadian art. Indeed, I found a similarity between two authors message is that artists are â€Å"starving artist†, where Niedzivecki had mentioned in the essay. Artists want to do their best in their artworks and get compliments from others. Unfortunately, the rejections or judgments they get are way more than compliments.

Freefall and Projectile Motion - 795 Words

Freefall and Projectile Motion Introduction and Objectives This lab experiment was done to determine the characteristics of free fall and projectile motion in Physics. The motion in which a body is thrown or projected is called Projectile motion while free fall is any motion of a body where gravity is the only force acting upon it, at least initially. In this experiment, a photogate, a chopper, and a Universal Lab Interface were used to determine the free fall motion of the chopper as it was released. A ball, carbon paper, and an L-shape projector were also used to determine the range of projectile motion of a ball being released from a horizontal yet slightly vertical slope. At the end of the experiment, one will know how velocity†¦show more content†¦Ã¢â‚¬Å"The Photogate has a beam of infrared light that travels from one side to the other. It can detect whenever this beam is blocked.† A Picket Fence or a chopper, a piece of clear plastic with equally spread out black sections on it, was dropped. â€Å"As the Picket Fence passes through the Photogate, the computer will measure the time from the leading edge of one bar blocking the beam until the leading edge of the next bar blocks the beam.† This timing continues as all eight bars pass through the Photogate. From these measured times, the program will calcul ate the velocities and accelerations for this motion and graphs will be plotted. http://www.waukeshasouth.com/physics1/photo.html